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Charles Turner

Charles Turner (1773-1851), engraver, was born in Oxfordshire and moved to London at the end of the 1780s.

2 portraits in the collection

Ethel Turner

Ethel Turner (1870-1958), writer, came to Australia with her twice-widowed mother at the age of nine.

1 portrait in the collection

Ethel Turner, 1928

Gift of Richard King 2008. Donated through the Australian Government's Cultural Gifts Program.

The Right Honourable Lord Viscount Melbourne, 1839

Collection: National Portrait Gallery
Purchased 2013

Moving in creative circles

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

Robert Banks Jenkinson, 2nd Earl of Liverpool, 1827

Collection: National Portrait Gallery
Purchased 2015

Jane Windeyer

Jane Windeyer (1865–1950) was the second eldest daughter of politician and judge Sir William Charles Windeyer (1834–1897) and his wife, Mary (née Bolton, 1837–1912), a leading campaigner for women’s rights.

2 portraits in the collection

Jane Rouse

Jane Kennerley (nee Rouse) was born in Parramatta and in 1834 married Alfred Kennerley (1810-1897) who, like Jane's father, owned large amounts of land in western Sydney and on the Cudgegong River.

1 portrait in the collection

Jane Franklin

Jane Franklin (née Griffin, 1791–1875) came to Van Diemen’s Land in 1837 following the appointment of her husband, Sir John Franklin, to the position of lieutenant-governor of the colony.

2 portraits in the collection

Jane Barnes

Jane Barnes (b. 1958), musician, was born in Bangkok. After her parents' divorce, she spent her childhood travelling around the world with her diplomat stepfather, mother and two sisters, living in Australia, Italy, Russia, New Guinea, Kiribati, Malta and Malaysia.

1 portrait in the collection

Jane Varkulevicius

Jane Varkulevicius is the Catalogues Manager of the Digger's Club. Although not a professional photographer she has taken a number of images for the Digger's Club and its associated publications.

1 portrait in the collection

In the shower, 2006

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

The 'I' in Indigenous art

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Money for Myth

Australian character on the market by Jane Raffan.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.